I have heard this app compared it to an Alpha version of software as opposed to release. The list of features missing from Pro MAC vs Pro 10 is quite extensive: no batch editing, no key command assigning, no crop ability, no surround output, no auto-regioning, no video support, and even a lack of editable toolbars. Be warned: Pro MAC requires OS X Lion or Mountain Lion, which may be a deal-breaker for some Snow Leopard holdouts. Also the Media Browser which by default is on the left side of the screen is cleaner and nicer than SF 10’s Explorer.

While playing around with it I have access to all of my Audio Unit and VST 2’s, and there are little differences/improvements I have seen so far over SF 10 such as Fade-ins/Outs having their fade types right in the submenu is super cool (although having to go into a menu at all is tedious). It looks like an OS X application and seems to behave like one as well. (Windows version = $374.95 and OS X version = $269.95).Īll that said, this new MAC version does look pretty. Instead, Sound Forge Pro MAC has been touted by Sony Creative as “Built on a clean slate for OS X, Sound Forge™ Pro Mac provides a contemporary application environment that’s perfect for recording, editing, processing, and rendering broadcast-quality audio master files.” Sound Forge Pro MAC seems to be an entirely different application than Sound Forge Pro 10, which could explain the different version numbering conventions as well as different price-points. Many Sound Forge fans (including myself) were hoping this new Mac port would be Sound Forge Pro 10 with OS X style buttons. While there have been functional audio editors on OS X for a long time: Wave Editor (now Triumph), the ill-fated BIAS Peak, Adobe Audition and even Audacity but these don’t seem to have the name recognition and user-numbers that Sound Forge has held among all audio professionals. A long time standard of most Windows-using audio professionals, Sound Forge Pro has finally come to Apple OS X.

Sound forge pro